Langbeschreibung
French sculptor Aristide Maillol (1861-1944) is sometimes referred to as the "Cézanne of sculpture" as he, like Paul Cézanne in the case of painting, paved the way for abstraction in his artistic field. Maillol began his career as a painter and produced a highly attractive body of work that is far too little known outside France.
Hauptbeschreibung
Explores the question of the foundation of the male gaze at women practiced by classical academic artists of the 19th and early 20th centuries, and how we perceive it today against the backdrop of current gender debates