The Edinburgh Companion to the First World War and the Arts

*APPROVED*
A new exploration of literary and artistic responses to WW1 from 1914 to the present

This authoritative reference work examines literary and artistic responses to the war's upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 26 essays collected in this volume approach artistic responses to the war from a wide variety of angles and, where appropriate, pursue their inquiry into the present day. In 6 sections, covering Literature, the Visual Arts, Music, Periodicals and Journalism, Film and Broadcasting, and Publishing and Material Culture, a wide range of experts across literature and the arts examine what means and approaches were employed to respond to the shock of war. How and why have literary and artistic responses to the war changed over time? How far are later works of art responses not only to the war itself, but to earlier cultural production? These are key questions that this volume seeks to answer.

Ann-Marie Einhaus is Senior Lecturer in Modern and Contemporary Literature at Northumbria University. She is the author of The Short Story and the First World War (2013) and editor of The Cambridge Companion to the English Short Story (2016).

Katherine Isobel Baxter is Reader in English Literature at Northumbria University. She is the author of Joseph Conrad and the Swan Song of Romance (2010), and co-editor, with Robert Hampson, of Conrad and Language (2016).

Introduction, Ann-Marie Einhaus and Katherine Isobel Baxter; Part I: Literature; 1. The Uncertain War a Century on: The First World War in British and Irish Fiction, Marie Stern-Peltz; 2. Poetry of the First World War in Britain, Clara Dawson; 3. First World War Short Fiction, Ann-Marie Einhaus; 4. Theatre: 1914 and After, Andrew Maunder; 5. Words from Home: Wartime Correspondences, Alice Kelly; 6. Transnational Lives: Colonial Life Writing and the First World War, Anna Maguire; Section II: Visual Arts; 7. The 'Abysmal inexcusable middle class', Painting, Commemoration, and the First World War, Matthew Potter; 8. 'Varied to Infinity': The First World War and Sculpture, Laura Brandon; 9. Memorials: Embodiment and Unconventional Mourning, Laura Wittman; 10. Posters, Advertising and the First World War in Britain, James Thompson; Section III: Music; 11. 'We think you ought to go': Music Hall and Recruitment in the First World War, Robert Dean; 12. British Soldiers' Songs, George Simmers; 13. The First World War in Popular Music since 1958, Peter Grant; 14. Requiems and Memorial Music, Kate Kennedy; Section IV: Periodicals and Journalism; 15. Popular Periodicals: Wartime Newspapers, Magazines and Journals, Kate Macdonald; 16. Evolving Wartime Print Cultures of the Anglo-American Modern Literary Renaissance, Christopher J. La Casse; 17. Pamphlets and Political Writing, Matthew Shaw; 18. 'The whole of war is an atrocity': Morgan Philips Price and First World War Reporting in the Ottoman/Russian Borderlands, Jo Laycock; Section V: Film and Broadcasting; 19. Official War Films in Britain: The Battle of the Somme 1916, Its Impact Then and Its Meaning Today, Toby Haggith; 20. Too Colossal to be Dramatic: The Cinema of the Great War, Michael Paris; 21. Representations of the First World War in Contemporary British Television Drama, Emma Hanna; 22. The Sound of War: Audio, Radio and the First World War, Richard J. Hand; Section VI: Publishing and Material Culture; 23. The British Publishing Industry and the First World War, Jane Potter; 24. Photography and the First World War, J. J. Long; 25. The Imperial War Museum and the material culture of the First World War, 1917-2014, Alys Cundy; 26. The Evolution of First World War Computer Games, Chris Kempshall.