Museums After Modernism

Museums After Modernism is a unique collectionthat showcasesthe ways questions about the museum go to the heart of contemporarydebates about the production, consumption and distribution of art.The book features expert artists, curators and art historians whograpple with many of the vibrant issues in museum studies, whilepaying homage to a new museology that needs to be considered.* Examines the key contemporary debates in museum studies* Includes original essays by noted artists, curators, and arthistorians* Engages with vital issues in the practice of art-making andart-exhibiting* Edited by the world-renowned art historian and author, GriseldaPollock

List of Figures.Notes on Contributors.Series Editor's Preface.Preface.1. Un-Framing the Modern: Critical Space/Public Possibility(Griselda Pollock, University of Leeds).2. Women's Rembrandt (Mieke Bal, University ofAmsterdam).3. Museums and the Native Voice (Gerald McMaster, Art Gallery ofOntario).4. Exhibiting Africa after Modernism: Globalization, Pluralism,and Persistent Paradigms of Art and Artifact (Ruth B. Phillips,Carleton University).5. Mirroring Evil, Evil Mirrored: Timing, Trauma, and TemporaryExhibitions (Reesa Greenberg, independent scholar and museumconsultant).6. A Place for Uncertainty: Towards a New Kind of Museum (VeraFrenkel, artist).7. The Ballad of Kastriot Rexhepi: Notes on Gesture, Medium, andMediation (Mary Kelly, University of California, Los Angeles).8. Riksutställningar: Swedish Traveling Exhibitions (UllaArnell, Curator and Project Manager at Riksutställningar).9. Reframing Participation in the Museum: A SyncopatedDiscussion (Janna Graham, PhD, University of London and ShadyaYasin, student, York University, Toronto).10. "There Is No Such Thing as a Visitor" (JudithMastai, d. 2001).11. "Anxious Dust": History and Repression in theArchives of Mary Kelly (Judith Mastai, d. 2001).12. On Discourse as Monument: Institutional Spaces and FeministProblematics (Juli Carson, University of California, Irvine).Bibliography.Index.