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Independent Museums and Culture Centres in Colonial and Post-colonial Zimbabwe

Non-State Players, Local Communities, and Self-Representation
Langbeschreibung
Independent Museums and Culture Centres in Colonial and Post-colonial Zimbabwe presents case studies that grapple with the issue of 'decolonising practice' in privately owned museums and cultural centres in Zimbabwe.
Inhaltsverzeichnis
Introduction: Chapter 1: Museum diversity in Africa: museums, related exhibitionary institutions and non-state players; Part I: Colonial museology, "un-inherited pasts" and decolonial possibilities- Chapter 2: Saving Modern Heritage: The National Railways of Zimbabwe's Railways Museum, Bulawayo; Chapter 3: Legacies of the British Empire: Remembering Rhodes at the Rhodes Nyanga Historical Exhibition, Eastern Highlands of Zimbabwe; Chapter 4: Colonial Wounds and The Demand for Social Justice: The Case of The Murray MacDougall Museum; Chapter 5: Museums in Small Places: The Milton High School Museum, Bulawayo; Chapter 6: Colonial Vestiges, Difficult Heritage, and The Post-Colony: Rescuing Ian Smith's Collections at The Gwenoro Ecomuseum, Shurugwi; Part II: Liberation heritage; museum-making, and new narratives- Chapter 7 African Liberation Heritage in The Post-Colonial Period: The Museumisation of Joshua Nkomo's House in Bulawayo; Chapter 8: Liberation Heritage And "Patriotic History": Preserving the Legacy of the 'Soul of The Nation' At KwaVaMuzenda House Museum; Part III: Independent players, communities, and cultural rights- Chapter 9: Independent Living Museums, Intangible Heritage, and Sustainability: The Kambako Living Museum, Chiredzi; Chapter 10: Local Narratives and Decolonised Knowledge Production at Amagugu International Heritage Centre, Matobo District; Chapter 11: Cultural Restoration, Self-Representation, and Community Development: A Case Study of Paiyapo Arts Development and Heritage Centre, Chipinge; Chapter 12: African Aesthetics and Decolonial Aesthesis: Revisiting the Art and Non-Art Debate At The Independent Art Museum In Masvingo; Chapter 13: Towards Community-Driven Curatorship: Traditional Chiefs and Cultural Connoisseurs at The Avuxeni Community Museum, Chiredzi South District; Index.
Thomas P. Thondhlana holds an MSc in Technology and Analysis of Archaeological Materials and a PhD in Archaeology both from the University College London (UCL), United Kingdom. He is currently the holder of the UNESCO Chair on African Heritage and Director of the Centre for Culture and Heritage Studies at Great Zimbabwe University. He is also serving as a member of the National World Heritage Committee and Standing Committee on Culture in Zimbabwe. His research interests cut across several areas which include pre-colonial mining and metallurgy, archaeological science, cultural entrepreneurship, cultural economics, liberation heritage, and museology. He is a co-editor of the book entitled "African Museums in the Making: Reflections on the Politics of Material and Public Culture in Zimbabwe" (2015, Langaa Research & Publishing Common Initiative Group).
ISBN-13:
9781000570533
Veröffentl:
2022
Seiten:
194
Autor:
Thomas Panganayi Thondhlana
eBook Typ:
PDF
eBook Format:
EPUB
Kopierschutz:
0 - No protection
Sprache:
Englisch

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