Monsters and the Poetic Imagination in the Faerie Queene

This monograph is the first comprehensive study of the monsters and monstrous beings in The Faerie Queene. It takes as its starting point Thomas Cooper's sixteenth-century definition of monstrum, which links the monstrous to the notion of the physically deformed, the violation of the rules of nature, and the idea of the sign that needs interpreting. These distinctions also represent Spenser's use of monsters and monstrous beings in The Faerie Queene: he fashions monstrosities as physical deformities violating the rules of nature in order to establish them as meaningful ciphers in 'a continued Allegory' designed to 'fashion a gentleman or noble person in vertuous and gentle discipline'.The book combines an inventory of Spenser's creatures with a study of the poem as a monstrous artefact. It first offers a taxonomic account of the monsters in The Faerie Queene, which analyses them along systematic and anatomical parameters. It then treats monsters and monstrous beings as signs interacting with the early modern discourse on the autonomous poet, who creates a secondary nature through the use of his transformative imagination and fashions monsters as ciphers that need to be interpreted by the reader.This book will appeal to Spenserians and scholars in Renaissance and monster studies, as well as to postgraduate students. It will also be of great interest for university libraries as a reference work on monsters and as a compendium to Renaissance literary criticism.

IntroductionPart I: 'Complicated monsters head and tail': A primer in Spenser, monsters, and teratology1. The Faerie Queene - A poem of monsters?2. The monstrous in the early modern period3. Historical perspectives on the monstrous4. How to read monsters: A survey of Spenser studies, and teratologyPart II: Reading the monster: Taxonomy5. Taxonomic considerations6. Monsters and monstrous beings in The Faerie Queene7. Monstrous animals (1): dragons8. Monstrous animals (2): four-footed beasts9. Human-animal composites10. Giants11. Monstrous humans12. Automata13. Taxonomy reconsideredPart III: Making monsters: The monstrous imagination and the poet's autonomy in The Faerie Queene14. The problem of the literary monster in the discourse of the poetic imagination15. The monstrous and the literary heterocosm16. In Phantastes's chamber17. Animating the monstrous imagination in The Faerie Queene18. Poetic creation: Spenser as Prometheus19. The poet's autonomy and the use of the monstrous imagination20. Interpreting the monstrousConclusionBibliographyIndex