Langbeschreibung
The first substantial book on the French Neo-Romantics, a cosmopolitan group working in 1920s Paris who turned against modernist abstraction in favour of a new form of figurative painting.
Inhaltsverzeichnis
Author's note Prologue First act: 1926 1. Exiles 2. Leonid's travels Second act: Against the tide 3. Gertrude Stein's prevarications 4. Ten portraits 5. The 'Bérard era' 6. Tchelitchew: weightiness and grace 7. Transparent bodies 8. Eugene Berman: dreaming of architecture 9. A Paper Ball 10. Medusa Third act: Figures of style 11. Two minor arcana 12. The strange case of Waldemar-George 13. The invention of Neo-Romanticism 14. Neo-Humanism is a Neo-Mannerism 15. Fantasy landscapes 16. The theory of the saltimbanque Fourth act: Convergence lines 17. The lightness of being 18. The English scene 19. Kit Wood, the outsider 20. The art of nuance