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Stereophonica
Sound and Space in Science, Technology, and the Arts
Langbeschreibung
Episodes in the transformation of our understanding of sound and space, from binaural listening in the nineteenth century to contemporary sound art.The relationship between sound and space has become central to both creative practices in music and sound art and contemporary scholarship on sound. Entire subfields have emerged in connection to the spatial aspects of sound, from spatial audio and sound installation to acoustic ecology and soundscape studies. But how did our understanding of sound become spatial? In Stereophonica, Gascia Ouzounian examines a series of historical episodes that transformed ideas of sound and space, from the advent of stereo technologies in the nineteenth century to visual representations of sonic environments today.
Inhaltsverzeichnis
Acknowledgments ix List of Illustrations xiii 1 Introduction 1 2 The Rise of the Binaural Listener: Spatial Hearing in the Nineteenth Century 17 3 Powers of Hearing: Acoustic Defense and Technologies of Listening during the First World War 37 4 Sound and Music in Three Dimensions: Spectacular Stereophony at Bell Telephone Laboratories 61 5 Psycho-Acoustics: Sound Control, Emotional Control, and Sonic Warfare 83 6 From a Poetics to a Politics of Space: Spatial Music and Sound Installation Art 105 7 Mapping the Acoustic City: Noise Mapping and Sound Mapping 125 8 Sonic Urbanism in Beirut 151 9 Epilogue 169 Notes 173 References 185 Index 213
Gascia Ouzounian
ISBN-13:
9780262044783
Veröffentl:
2021
Erscheinungsdatum:
16.02.2021
Seiten:
256
Autor:
Gascia Ouzounian
Gewicht:
596 g
Format:
230x179x23 mm
Sprache:
Englisch