Charles Dibdin and Late Georgian Culture

Oskar Cox Jensen is a Leverhulme Fellow at Queen Mary University of London. From 2013 to 2017 he was a Research Fellow on the ERC-funded project 'Music in London, 1800-1851' at King's College London. His publications include Napoleon and British Song, 1797-1822 (2015), and The London Ballad-Singer, 1792-1864. With David Kennerley, he is preparing a collection on music and politics, c.1780-1850. He has authored various articles and book chapters, as well as several works of fiction.David Kennerley is a Postdoctoral Research Associate on the 'Music in London, 1800-1851' project at King's College London. His research explores the history of sound, music, and performance in Britain in the long nineteenth century, with a particular focus on sonic aspects of gender, and of political culture. His work has been published in the Historical Journal, and has featured in a Bodleian Library exhibition and accompanying book on Staging History, 1780-1840. He is currently completing a monograph on female singers in early nineteenth-century Britain, and, with Oskar Cox Jensen, editing a collection of essays on music and politics, c.1780-1850.Ian Newman is an Assistant Professor of English at the University of Notre Dame, and a fellow of the Keough-Naughton Institute for Irish studies. He specializes in eighteenth- and nineteenth-century British and Irish literature. His work has appeared in Studies in English Literature, European Romantic Review, Eighteenth-Century Studies, and Studies in Romanticism. He is currently completing a book The Tavern: Literature and Conviviality in the Age of Revolution. He is engaged in a digital project tracing the meeting places of the London Corresponding Society and is a founding editor of the Keats Letters Project.